Thursday, December 26, 2019

Essay on Analysis of Shakespeares Sonnet 20 - 1225 Words

Analysis of Shakespeares Sonnet 20 Sonnet 20 appears to be about an affectionate love that the speaker develops for an unnamed man. He describes the man as having a womans face that Nature painted with its own hand. The speaker calls this admired person his master mistress. He goes on to say that this man has the gentle heart of a woman but is not inconsistent as is the way with women. He has eyes that are brighter than the eyes of any women. His eyes are so true and sincere that they light up every object that they look upon. He is a man of shape and form (and of authority) and all other figures are in his control. Furthermore, he steals the attention of men and amazes the hearts of women.†¦show more content†¦Although during the Renaissance, the friendships between men were usually openly affectionate, Sonnet 20 reveals a homosexual desire that the poet seems to be obsessed with. The Shakespearean sonnet does not follow the ideal form of an iambic pentameter. Shakespeare plays with this poem and deliberately stretches each line so that all fourteen lines end with an eleventh syllable. The feet have been marked and each line is left with an extra syllable at the end. Shakespeare was well-aware of the iambic pentameter in writing his poems. Therefore, each feet is unstressed-stressed. Stressing the last syllable of each sentence shows the significance of that last word and its meaning. In this case, each word at the end of every line ends in an unstressed syllable. To keep the model of an iambic pentameter, the short syllables at the end of each line has been omitted. Most feet follows the iambic form. However, there are few that do not because a poet cannot change the way a word is normally pronounced. For example, Hast thou is a trochee but quickly preceding it is an iambic, which, once again, keeps with the traditional form (line 2). The same holds true i n this next example. 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